USD 449


Course duration
12 week(s)
Max class size
1
Study Hours Per Week
15
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This morning Raga keeps you engrossed in its mood by the unique way of singing both the Madhyams and the Komal Dhaivat. Raga Lalit is sung in detail with the Bada Khayal and Chhota Khayal improvisation. The emotions of this Raga are expressed by the slow Aalap and Aalap Badhat. A variety of Swara patterns are practiced to perfection. Raga Jog is the popular night melody introduced in this course. Raga Kedar is reviewed with development. The Chhota Khayal in this Raga is reviewed and another composition in the same Raga is learnt. 

Course Format

Batch Size: 1

Duration: 12 weeks, one 45 mins lesson per week

Objectives

To practise singing the Raga chalan of Lalit

To do Swar Sadhana to perfect the application of Swaras in Lalit

To sing the Swar Vistar in Lalit

To compose and practise singing the Paltas in Lalit

To learn the Bada Khayal in Raga Lalit

To sing Aalap and Bol Aalap in Lalit

To sing the Bol Taan and Taan in Lalit

To learn a Chhota Khayal in Raga Lalit with Vistar

To review Raga Kedar Chhota Khayal and improvise in Drut Ektaal

To compose  and sing Paltas in Kedar

To practise singing the Raga chalan of Jog

To do Swar Sadhana to perfect the application of Swaras in Jog

To sing the Swar Vistar in Jog

To compose and practise singing the Paltas in Jog

To learn a Chhota Khayal in Raga Jog with Vistar

Explanation and discussion on Ragas that exist in differnt forms using Thaat system taking Lalit for example

 

 

 

The student has completed HV314 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 23 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 23 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals. 

 

Raga Lalit Bada Khayal
  • Introduction to Raga Lalit
  • Raga characteristics of Raga Lalit
  • Swar Vistar in Raga Lalit
  • Paltas in Raga Lalit
  • Bada Khayal in Raga Lalit
  • Aalap in RAga Lalit Bada Khayal
  • Layakari in Raga Lalit Bada Khayal
  • Taan in Raga Lalit Bada Khayal
Raga Lalit Chhota Khayal
  • Chhota Khayal in Raga Lalit
  • Aalap and Taan in Raga Lalit Chhota Khayal
  • Presentation of Raga Lalit using advanced concepts
Raga Jog
  • Raga Jog Introduction
  • Raga characteristics of Jog
  • Swar Vistar in Raga Jog
  • Paltas in Raga Jog
  • Raga Jog Chhota Khayal Bandish
  • Raga Jog Chhota Khayal Aalap and Taan
Relevance of Thaat system
  • Review Thaat system
  • Case study with a few Ragas which are exceptions to this Theory
  • Ragas like Lalit which exist in different forms
  • The influences of Gharanas on the treatment of different Ragas
Raga Kedar review
  • Raga Kedar introduction
  • Raga Kedar Chhota Khayal in Ektaal
  • Raga Keda Chhota Khayal in Teentaal
  • Paltas in Kedar

The student is able to 

Demonstrate the Raga chalan of Lalit understanding the mood of the Raga

Sing the  Swar Vistar in Lalit highlighting the Raga Roop

Sing the Paltas in Lalit fluently with perfection in Sur

Present the Bada Khayal in Raga Lalit with development in Aalap, Bol Taan and Taan 

Present Raga Lalit Chhota Khayal with Vistar

Present the Chhota Khayals in Kedar with Vistar

Demonstrate the Raga chalan of Lalit understanding the mood of the Raga

Sing the  Swar Vistar in Jog highlighting the Raga Roop

Sing the Paltas in Jog fluently with perfection in Sur

Present the Bada Khayal in Raga Jog with development in Aalap, Bol Taan and Taan 

Present Raga Jog Chhota Khayal with Vistar

Sing a variety of Paltas in Kedar