USD 449


Course duration
12 week(s)
Max class size
1
Study Hours Per Week
18
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Madhuvanti is a popular Raga. It is also a concert favourite Raga. A Chhota Khayal and Bada Khayal is learnt in Madhuvanti. The Swara Vistar is sung exploring this beautiful night melody. Raga Kaamod has been introduced earlier. In this course the indepth study is done with the Bada Khayal and a Tarana in Kaamod.  Student composes and sings the Paltas in these Ragas. 

Raga Malkauns Bada Khayal and Chhota Khayal are reviewed with development of Aalap and Laykari. Raga Patdeep is briefly reviewed.

Theory -Raga characteristics, Study of similar Ragas. Tirobhav and Avirbhav in Ragas.

Course Format

 Batch Size: 1

Duration: 12 weeks, one 45 mins lesson per week

Objectives

To practise singing the Raga chalan of Bhinna Shadja

To do Swar Sadhana with the Swaras of Bhinna Shadja

To sing the Swar Vistar in Bhinna Shadja

To compose and practise singing the Paltas in Bhinna Shadja

To learn the Chhota Khayal in Raga Bhinna Shadja

To sing Aalap and Taan within the Chhota Khayal in Raga Bhinna Shadja

To practise singing the Raga chalan of Madhuvanti

To do Swar Sadhana with the Swaras of Madhuvanti

To sing the Swar Vistar in Madhuvanti

To compose and practise singing the Paltas in Madhuvanti

To learn the Chhota Khayal in Raga Madhuvanti

To sing Aalap and Taan within the Chhota Khayal in Raga  Madhuvanti

To review the Chhota Khayal done in Raga Sohini

To develop the improvisation elements of Raga Malkauns in detail

To review the complete Bada Khayal singing with Aalap, Taan and Layakari aspects in Raga Malkauns

To briefly review Raga Patdeep and compare this Raga with Madhuvanti

 

 

The student has completed HV313 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 22 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 22 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals. 

 

Raga Malkauns Review
  • Raga Malkauns Swar Vistar
  • Raga Malkauns Bada Khayal
  • Raga Malkauns Paltas
  • Raga Malkauns Chhota Khayal
Raga Bhinna Shadja Chhota Khayal
  • Introduction to Raga Bhinna Shadja
  • Raga Characteristics of Bhinna Shadja
  • Swar Vistar in Bhinna Shadja
  • Paltas in Raga Bhinna Shadja
  • Chhota Khayal in Raga Bhinna Shadja
  • Aalap and Taan in Bhinna Shadja
Raga Madhuvanti
  • Raga Madhuvanti introduction
  • Madhuvanti Raga characteristics
  • Raga Madhuvanti Swar Vistar
  • Raga Madhuvanti Paltas
  • Raga Madhuvanti Chhota Khayal Bandish
  • Raga Madhuvanti Chhota Khayal Aalap and Taan
Raga Madhuvanti Bada Khayal
  • Raga Madhuvanti Swar Vistar Aalap
  • Raga Raga Madhuvanti Bada Khayal Bandish
  • Raga Madhuvanti Bada Khayal Aalap and Taan
Raga Kamod Bada Khayal- Tore Darbar
  • Raga Kamod Swar Vistar
  • Kamod Paltas
  • Kamod Bada Khayal Bandish- Tore Darbar
  • Kamod Bada Khayal Bandish- Tore Darbar Aalap
  • Kamod Bada Khayal Bandish- Tore Darbar- BolTaan and Taan
Raga Characteristics -Performance aspects of Ragas
  • Raga Prakruti
  • Swaras of Nyas
  • Raga Lakshan
  • Avirbhav Tirobhav in presentation of Ragas

 The student is able to 

Demonstrate the Raga chalan of Bhinna Shadja

Sing the  Swar Vistar in Bhinna Shadja highlighting the Raga Roop

Sing the Paltas in Bhinna Shadja 

Present the Chhota Khayal in Raga Bhinna Shadja with Aalap and Taan 

Demonstrate the Raga chalan of Madhuvanti

Sing the  Swar Vistar in Madhuvanti highlighting the Raga Roop

Sing the Paltas in Madhuvanti 

Present the Bada Khayal followed by the Chhota Khayal in Raga Madhuvanti with Aalap and Taan 

Present complete Bada Khayal in Raga Malkauns with depth in Aalap and fluent Taan

Present the Bada Khayal, chota Khayal and Tarana in Raga Kamod

Present the Chhota Khayals in Raga Malkauns 

Compare and contrast Patadeep and Madhuvanti