Course Format
Duration: 12 weeks
One lesson per week
Batch Size: Max 1
Hindustani Vocal 206
Course Format
Duration: 12 weeks
One lesson per week
Batch Size: Max 1
In this course Raga Bageshri is studied. A Dhamar composition is introduced in Raga Bageshri and the Chhota Khayal is revisited. The relationship between Dhrupad and Dhamar is highlighted. Exploring the Bhakti Ras a Bhajan is learnt in Raga Tilang. Tilang is a melody beautified with the aesthetic Shuddh Ni and Komal Ni in Aaroh Avaroh respectively. A Chhota Khayal in the Raga further enhances this understanding. The learning of a Bhajan offers an opportunity to analyse the classification of Light and Classical Music. A Chhota Khayal in Madhyalay Teentaal is also learnt. The Tarana in Bageshri is given to the student for listening. The sonorous Marva is also introduced here, with a Chhota Khayal. Theory : Relationship between Dhrupad and Dhamar genres; Swami Haridas, Tansen, Gopal Nayak, Baiju and Raja Mansingh; Raga characteristics of Bageshri and Marva. 22 Shrutis applied as Swaras. To understand the classification of Light and Classical Music.