The student has completed HV204 at the academy OR the student has learnt Chhota Khayal in about 12 Ragas with Swar Vistar, Aalap and Taan. The student is introduced to Bada Khayal singing  with Aalap.

To practise singing the Raga chalan of Bhimpalasi 
To do Swar Sadhana in Raga Bhimpalasi
To create and sing the Swar Vistar in Bhimpalasi
To learn and practise singing the Paltas in Bhimpalasi
To learn a Chhota Khayal with Aalap and Taan in Raga Bhimpalasi
To review the Chhota Khayal already learnt in Bhimpalasi(if any) 
To learn a Bada Khayal in Raga Bhimpalasi
To sing Aalap within the Bada Khayal in the range of all three Saptaks
To sing different Layakari patterns with the Bol of the Bada Khayal
To sing Sargam and Taan in Bada Khayal

The student is able to 
Demonstrate the Raga chalan of Bhimpalasi
Sing the  Swar Vistar in Bhimpalasi highlighting the characteristics elements of Meend and Khatkas in the Raga with correct voice application
Sing the Paltas in Bhimpalasi fluently
Present the Chhota Khayal in Raga Bhimpalasi with development in Aalap and Taan Vistar 
Present the Bada Khayal in perfect Sur , Taal and expression
Present the Bada Khayal Aalap with essential elements of voice culture
Present Bol Taan, Sargam and Taan with the Bada Khayal
Identify related Ragas by listening

12 classes of 45 minutes each.

The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deep dive course Raga Bhimpalasi is explored. This is a Raga that has its charm on the listeners in the form of a melody soaked in devotion, love and longing when rendered in its pure form. This Raga lends melodic phrases to lighter forms of music and leaves its own impact. 
Theory - Raga characteristics of Bhimpalasi.

Raga Bhimpalasi -an In-depth Study HV907