Bada Khayal Gayaki in Raga Malkauns. Getting introduced to new ragas, Raga Pooriya Dhanashree and Raga Kalalawati. Trivat Composition, the relation of folk music and Classical music, types of Taans.
Objectives
By the end of this course, students will able to:
1. Present a Raga with more creativity.
2. Tune the instruments confidently on their own.
3.Sing with more expression and Rasabhav.
While presenting Bada Khayal, creative improvisations in the form of Taan and Boltaan are expected.
Use of Gamak taan, and the knowledge of other types of taan in the slow and fast speed is expected from the students.
Bada Khayal in Raga Malkauns
Introduction to Raga Malkauns
Swaravistar in Raga Malkauns
Learning Bada Khayal in Raga Malkauns
Learning Sthayi and Antara Aalap and Bolaalap in Raga Malkauns
Raga Pooriya Dhanashree
Introduction to Raga Pooriya Dhanashree
Swaravistar in Raga Pooriya Dhanashree
Learning Chota Khayal in Raga Pooriya Dhanashree
Learning Sthayi and Antara Aalap and Bolaalap in Raga Pooriya Dhanashree
Learning Taan in Raga Pooriya Dhanashree
Raga Kalawati
Introduction to Raga Kalawati
Swaravistar in Raga Kalawati
Learning Chota Khayal in Raga Kalawati
Learning Sthayi and antara Aalap and Bolaalap in Raga Kalawati
Learning Taan in Raga Kalawati
A Classical form of Music - Trivat
Learning Sthayi part of Trivat
Learning Antara part of trivat
Folk Music of india
Impact of folk Music on Classical Music
Cultural Background of Indian Folk Music
Types of Taan
Types of Taan
Patters of Taan
Examination
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